Battlestar Galactica: Razor / The Plan
Music composed by Bear McCreary
Label: La-La Land Records
Catalog:
LLLCD 1125
Year: 2010
Tracks:

1. Apocalypse (Theme from “The Plan”) – From “The Plan” (Raya Yarbrough)
2. Razor Main Title – From “Razor”
3. Arriving at Pegasus – From “Razor”
4. The Plan Main Title – From “The Plan”
5. Attack on the Scorpion Shipyards – “From Razor”
6. Apocalypse, Pt. I – From “The Plan”
7. Apocalypse, Pt. II – From “The Plan”
8. Pegasus Aftermath – From “Razor”
9. Kendra’s Memories – From “Razor”
10. Mayhem on the Colonies – From “The Plan”
11. Civilian Standoff on the Scylla – From “Razor”
12. Husker in Combat – From “Razor” (Contains “Theme from Battlestar Galactica” by Stu Phillips and Glen A. Larson)
13. Major Kendra Shaw – From “Razor”
14. Cavil Kills and Cavil Spares – From “The Plan” (Raya Yarbrough)
15. The Hybrid Awaits – From Razor
16. Kendra and the Hybrid – From “Razor”
17. Princes of the Universe – From “The Plan”
18. Starbuck’s Destiny – From “Razor”
19. Apocalypse (Theme from “The Plan”) [Bonus Live Version]


Total Time: 68:20
Rating:


Reviewed by
Jorge Saldanha

 
A long road was travelled by Bear McCreary, since he began writing the music for the 2004's acclaimed reimagining of Battlestar Galactica (in the 2003 miniseries he served only as assistant composer for Richard Gibbs). Although already composing for film and television since the early 1990s, his work has really draw attention thanks to the Ron Moore series. During this period we've heard his music in productions ranging from 2006's Rest Stop (and its sequel in 2008) to other series like Terminator: The Sarah Connor Chronicles, Eureka, Human Target and Caprica, the spin-off of Battlestar Galactica.

During the running of the series La-La Land Records has released four CDs, each one containing musical selections from a season, and the fourth is a 2 disc album that includes the final episode's full score. But there was an omission easily noticeable by the fans - the scores of the direct-to-DVD / Blu-ray specials Razor and The Plan. This fault is at last fixed with the release of this CD, which closes the La-La Land collection dedicated to Battlestar Galactica - undoubtedly indispensable for fans of the series or McCreary's work.

One can argue that McCreary would not have been the creator of the show's musical identity, since as mentioned above he was only an assistant in the miniseries. But undoubtedly, having composed the soundtracks for each episode of the four seasons that came after, he was the real responsible for the initial formula's development and recognition. If that fact was already demonstrated in previous CDs, in this one it is unquestionably established, like a tribute to the series and the composer's own work.

Here we got a little more of the same (and I say it in a positive sense), when McCreary incorporates ideas and motifs we've already heard. But beyond that, he takes this stuff, develops and concludes it, as if closing a long musical arc parallel to the series. In some ways granting a more conceptual nature to the album, in its nearly 70-minute the Razor and The Plan tracks has not been separated - they were grouped using concepts and themes for familiar characters, and sometimes expanding them into new directions.

One example is the main theme of The Plan, "Apocalypse": the most attentive will realize that this track is actually the opening theme (european version) of the series, strong and energetically reworked in a longer version that adds rock elements - rhythmic percussion and electric guitar (played by Bear). The final track on the album is a live, on stage performance of this song (actually, a concert of Battlestar Galactica's music DVD will be released soon), and the enthusiastic audience response (something rare for a television score) shows us how successful is this McCreary's creation. An old theme that says goodbye in a high style.

The album also features the emotional or melancholic tracks from the series, such as "Kendra's Memories", and the suspense and action moments that sometimes bring us variations of The Plan's main theme ("Apocalypse, Pt I" and "Apocalypse, Pt II ). Overall, a very recommendable album that transcends the images for which its music was created, that can be enjoyed on its own merits. With this release McCreary closes a brilliant chapter in his career (or not, if we consider Caprica), which certainly will be a long and promising one, given the talent he has demonstrated.

 

 

 

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