MEMENTO
Music composed by David Julyan
Label: Thrive
Catalog: 90520-2

Year: 2001
Tracks:

1. Opening Titles/Polaroid Fades
2. Motel Room/Arriving At The Derelict
3. Snapshot (Roni Size)
4. Focus On Sight (Thievery Corporation)
5. Stone (Monc)
6. Remember Me
7. The Facts/Tattoos
8. More Facts
9. Treefingers (Extended Version - Radiohead)
10. All Is Full Of Love (Funkstorung Mix - Bjork)
11. Motel Room/Arriving At The Motel
12. Leonard And Natalie
13. Time For My Shot
14. Losing Control/Tattoo Parlor
15. First Cool Hive (Moby)
16. Who Am I (Peace Orchestra)
17. Amnesia (Paul Oakenfold)
18. Arriving At The Derelict/Jimmy
19. Memento (Main Theme)
20. Something In The Air (David Bowie)

Total Time: 75:01
Rating:


Reviewed by
Atila Paton

 

The Cheltenham born David Julyan has been collaborating for a long time with director Christopher Nolan (Inception, Insomnia). On Memento’s soundtrack Julyan realises that his main aim is to produce a sense of adriftment regarding Guy Pearce’s character condition which limit his memory and ability. Such impairment follows the whole score mood in a way that it is clear that some imprisonment is going on, some limitation is present and constantly there to remind that things will not turn out well. Furthermore, taking the plot more concisely, Julyan creates an effect of displacement and at the same time, paradoxically enough, tells Leonard’s story through the motifs he so superbly created.

The strings are not just mysterious, they tend to transport you into the film in order to experience the same emotions that Leonard does, the displacement, the yearning for closure and the hopelessness at times. David Julyan acknowledges that Vangeli’s Blade Runner and Hans Zimmer’s The Thin Red Line were influences whilst composing the themes. He made sure to create distinct moods for the black and white scene that tend to be more opaque but on the other hand the coloured scenes are more desperate, somewhat paranoid and claustrophobic.

Self-deception is another mood David Julyan’s remarkably was able to grasp and translate to music, especially on "The Facts/Tatoos" and "More Facts". Leonard gets lost in his own puzzles so Julyan had the trouble to realise that this part of his conscious mind was important enough, so he created cues hinting the audience about something not exactly right about Leonard’s facts. If the so called facts were accurate the theme should be completely different facing peaceful order, control and well-being; instead they are paranoid, mysterious, repetitious and somewhat ghostly, giving the impression of a lost unconscious truth that Leonard is flagrantly not aware of.

It strikes as odd why such a terrific work did not win an Academy Award prize, but many have not. Two popular songs are included on the soundtrack: David Bowie’s "Something In The Air" and Radiohead’s "Treefingers". Julyan also scored The Prestige, The Descent and Heartless.

 

 

 

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